The only representations of this first statue can be found, very schematically, in a painting by Denis Van Alsloot, representing the Brussels' Ommegang of 1615 and in a preparatory drawing to this painting.
The first statue was replaced by a new bronze version, commissioned in 1619.
On that occasion, the following passage from the Bible was inscribed above its head : In petra exaltavit me, et nunc exaltavi caput meum super inimicos meos ("The Lord placed me on a stone base, and now I raise my head above my enemies").
As shown by an engraving by Jacques Harrewijn, dating from 1697, the fountain was no longer located on the street, but in a recess at the corner of the Rue du Chêne and de l'Étuve.
Manneken Pis is sometimes given the nickname of Petit Julien or Julianske ("Little Julien"), which in fact refers to a now-disappeared fountain of Julian (Juliaenkensborre), by mistakenly confusing two well-distinct fountains.
As a sign of their appreciation, the people of Brussels gave this city a replica of the statue.
In 1770, the column and the double rectangular basin disappeared; the statue was integrated into a new decor, in the form of a stone niche in rockery style, originating from another dismantled fountain of Brussels.
The water simply flowed through a grating in the ground, which was replaced by a basin, in the 19th century.
This 61-centimetre (24 in) tall bronze statue, on the corner of Rue de l'Étuve and Rue des Grands Carmes, was made by Brussels' sculptor Hieronimus Duquesnoy the Elder (1570–1641), father of Jérôme Duquesnoy the Young and the famous During its history, the statue faced many hazards.
It survived undamaged the bombardment of Brussels of 1695 by the French army, but the pipes having been affected, it could not deliver its water for a certain time.
To calm things down, the King of France, Louis XV, offered a gentleman's gown of brocade, embroidered with gold, to Manneken Pis.